HOW TO…
Public Programs
Meet with the artists followed by the opening reception
Wednesday, May 13, 4:30 PM to 7:30 PM
In French & in English
At the Gallery
Free
Join the artists of IGNITION for a commented tour of the exhibition at 4:30 PM followed by an opening reception at 5:30 PM. Refreshments will be served.
The Gallery presents the 21st edition of its annual exhibition IGNITION. It features new work by students currently enrolled in the Studio Arts or Humanities graduate programs at Concordia University.
The Being of Relation: Screening & Discussion
As part of IGNITION 21: HOW TO…
With performance artists Diego Gil and Andrés Salas-Parra, alongside ro heinrich, and artist-researchers affiliated with the 3Ecologies Project, including Erica Biolchini, Ingrid Enriquez-Donissaint, Emma Flavian, M Gnanasihamany, Pauline Lomami, Erin Manning, Brian Massumi, Mie Natius, Matthew-Robin Nye, and Natalie Pavlik.
Saturday, May 16 & 23, 2026, 1:00 PM to 4:30 PM
At the Gallery
Free, in English, Register here
How do we learn to encounter the world, moving with and in the being of relation?
We warmly invite you to join us for a 3-hour collective event sharing film screenings and readings to engage the film’s (un)timely questions of how different logics, worlds, can be activated and practiced.
Please arrive at 1:00 PM, we’ll begin at 1:30PM. Snacks, refreshments and breaks are included.
The film Strange Intruders (2026, 20’)—part of a film series (The Being of Relation, 2025)—engages sense-making as an aesthetico-political practice. It feels-thinks with the (un)timely questions of how different logics, worlds, can be activated and practiced. How might autistic perception unsettle dominant hierarchies of sense-making? The film features the voices of birds in protracted pulse and response, senses, stutters and relational thought growing through Erin Manning and Brian Massumi, bark twitches, quivers of winds, and phonic pulls from Sher Doruff. Feeling the interstices of perception, the film crafts a rhythmic ecology of nonseparable sensing, where thought feels, sight touches, cadence potentiates
The live event is co-crafted with performance artists Diego Gil, Andrés Salas-Parra, alongside ro heinrich, and artists, philosophers and researchers affiliated with the 3Ecologies Project (3E), a platform researching collective study practices and techniques.
Read moreThrough (recorded) conversations and collaborations, ro heinrich’s practice is transdisciplinary, with an emphasis on film- and bookmaking. Attentive to mobilising collective conversation, they collaboratively craft public screening and reading events, attuning with questions posed through their works. At the fertile edges of neurodiversity, process philosophy and black study, their research-creation practice is concerned with an aesthetico-political activation of different logics and worlds affirming nonseparability. ro recently began the Humanities PhD in research creation with Professors Erin Manning, Sher Doruff and Shira Avni as (co-)supervisors.
Diego Gil is an artist and philosopher exploring the life of aesthetic processes through the lens of process philosophy. Born in Buenos Aires, Diego lived and studied in Amsterdam (School for New Dance Development and DAS Choreography). After ten years of producing and showing his choreographic work across Europe (Tanz Im August, Tanznacht, Rencontres Chorégraphiques, Sommerszenne, ImpulsTanz, etc) he moved to Montreal to obtain his PhD at the Interdisciplinary Humanities program of Concordia University.
In Montreal, he has collaborated as a dramaturge and performer in the choreographic work of Maria Kefirova, Hanna Sybille Mueller, Lilia Mestre, Project Alter Dogs and Francois Bouvier. He has also worked intensively with the Sense Lab/3Ecologies project, a research-creation laboratory at the intersection of philosophy, art, and activism, in the organization of aesthetic-politic events.
Andrés Salas-Parra is an artist-researcher based between Montréal and Bogotá. His practice combines experimental film, ceramics, installation, archival research, and fieldwork to explore the material, affective, and geopolitical dimensions of emerging technologies, extractive infrastructures, and planetary change. Working through research-creation, he examines how rare and strategic minerals shape relations between scientific knowledge, colonial histories, landscapes, and more-than-human worlds. His work has been exhibited internationally. He holds a PhD in Humanities from Concordia University and an MA in Experimental Media from the Université du Québec à Montréal. His projects have been supported by the Social Sciences and Humanities Research Council of Canada, the Canada Council for the Arts, the Conseil des arts et des lettres du Québec, and IDARTES (Colombia).
The 3Ecologies Project (3E) is an autonomous organization dedicated to participatory experimentation in research-creation, and ecological thought and action. It operates at the intersection of artistic practice, philosophy, and social engagement. 3E builds on the nearly two decades of experience of its parent organization, SenseLab, expanding its scope to include land-based activities on a wild stretch of forest three hours north of Montreal.
The artists, philosophers and researchers affiliated with the 3Ecologies Project collaborating in this public event, include Erica Biolchini, Ingrid Enriquez-Donissaint, Emma Flavian, Diego Gil, M Gnanasihamany, Pauline Lomami, Erin Manning, Brian Massumi, Mie Natius, Matthew-Robin Nye, Natalie Pavlik, and Andrés Salas.
CloseIGNITION 21
This series of public programs is part of the exhibition IGNITION 21: HOW TO…, presented at the Gallery from May 13 to June 13, 2026, as well as this year’s IGNITION 21 Satellite Project: 빨리 빨리 (hurry, hurry) by Sam Lee.