siren eun young jung:
The Yeoseong Gukgeuk Project: Hijack the Gender!
Sediment: the archive as a fragmentary base
Thinking again and supposing. Trajectory of an exhibition
Sarah Greig + Thérèse Mastroiacovo
ADVENTURES CAN BE FOUND ANYWHERE, MÊME DANS LA RÉPÉTITION
Beatriz Santiago Muñoz:
Poetic Disorder
Lorenza Böttner: Requiem for the Norm
GOING TO, MAKING DO, PASSING JUST THE SAME
Shuvinai Ashoona
ᓱᕕᓇᐃ ᐊᓲᓈ
Mapping Worlds
ᓄᓇᙳᐊᓕᐅᕐᓂᖅ ᓄᓇᕐᔪᐊᙳᐊᓂᒃ
Jonathas de Andrade
Counter-narratives and Other Fallacies
JET DU BAS DIT AA L’EAU GUET AVEC L’INVISIBLE
ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ
Among All These Tundras
OWERÀ:KE NON AIÉ:NAHNE FILLING IN THE BLANK SPACES
IN THE VESTIBULE WITH FORENSIC ARCHITECTURE
– I’D RATHER SOMETHING AMBIGUOUS. MAIS PRÉCIS À LA FOIS.
PUTTING REHEARSALS TO THE TEST
IN THE VESTIBULE WITH JEF CORNELIS
RICHARD IBGHY & MARILOU LEMMENS PUTTING LIFE TO WORK
WORLD OF MATTER Exposing Resource Ecologies
SPECULATIONS. RISQUER L’INTERPRÉTATION
ADVENTURES CAN BE FOUND ANYWHERE, MÊME DANS LA MÉLANCOLIE
SIGNALS IN THE DARK: ART IN THE SHADOW OF WAR
MIKE HOOLBOOM: THE INVISIBLE MAN
HARUN FAROCKI: “ONE IMAGE DOESN’T TAKE THE PLACE OF THE PREVIOUS ONE”
ADAD HANNAH: RECAST AND RESHOOT
9 EVENINGS RECONSIDERED: ART, THEATRE, AND ENGINEERING, 1966
SILVIA KOLBOWSKI NOTHING AND EVERYTHING
HADJITHOMAS + JOREIGE
I’m there even if you don’t see me
AS MUCH AS POSSIBLE GIVEN THE TIME AND SPACE ALLOTTED
NELSON HENRICKS.
TIME WILL HAVE PASSED. LE TEMPS AURA PASSÉ.
CAPSULE 3
Sylvie Safdie seen by Sherry Simon
COLLECTION 3
Collecting: The Inflections of a Practice
OUT OF GRACE
Five spaces, five weeks, five performers and five visual artists
JESPER JUST
NOMAD IN ONE’S OWN MIND
MY TREATY IS WITH THE CROWN
A project by Kent Monkman
MARTHA WILSON
STAGING THE SELF
TRAFFIC: CONCEPTUAL ART IN CANADA 1965-1980
MARTIN BECK the particular way in which a thing exists
MATERIAL TRACES: TIME AND THE GESTURE IN CONTEMPORARY ART
ENCUENTRO 2014
MANIFEST!
Choreographing Social Movements in the Americas
OSCILLATIONS OF THE VISIBLE OLIVIA BOUDREAU
D’UN DISCOURS QUI NE SERAIT PAS DU SEMBLANT / ACTORS, NETWORKS, THEORIES
ANARCHISM WITHOUT ADJECTIVES: ON THE WORK OF CHRISTOPHER D’ARCANGELO, 1975-1979